SUTURE
Resolve. The faster the dreams burn on paper, the faster the paper eats up the dream.
I
Welcome home, my oblivion.
I have been waiting for you, for so long, and now I don’t see time in her eye.
The bouquet you left me bled red and perfume and kindness, and why
Now? Why have you returned to take back the pain that you left me?
The paper that smell of distant ink, of stories only seen by sleepless eyes, as legacy?
My forest of sleeping words that injected mechanical probes into the precoital tension of mind,
Cried “Don’t go off wandering into the woods”. You went back, in black ecstasy
Of forbidden discovery. Forays into an unknown, hostile mind. Be kind. Rewind.
To those days when I knew you were just a shape in shapes of women,
Laughing, smiling, electrifying, pulsating like a magnet in rainclouds
Like other shapes.
What knowledge was that? The knowledge of rain, in vain,
Did I search for the soft sharp twitter-tat of liquid needles on this face, and pain
was my language of malaise then. Can you hear me now, those fleet-footed flight,
Fighting the fear frozen in unrequited love’s noxious delight?
Can you love me now, knowing I have given myself over to that maelstrom of eternal night. Yes?
II
Welcome home, my delirium.
How long has it been since you were here, rustling through white pages, reading
What my mind was too poor to conceive? Or softly humming to the white noise
Of endless streams and strains and faultless disdain,
In notes I touched, and lost again?
Or silently musing the violent refuse of colour, that turgid, growing apathy
To tints and hues that once painted this view of what was beautiful and what was few?
There, the easel. There, the tubes. There, the ghostly rows of white sheets of neverending poverty,
There, the brush. There, my burnt Rome. There, my red-ruby garb of calamity,
Take these memories and keep them forever locked, in one of ‘em library
Of cemetery thoughts.
And while you shall be mesmerized by the amount of meaning that this assortment
Fails to make, I shall quietly tiptoe the highest ledges of the night townscape.
A moment’s fever, feigned to the one shape that truly did hold my hands until
The day my world ends, and we shall then go off searching for private joys to the river bends.
That date is still some time off. In the meantime, try making method of this madness.
III
Welcome home, my sanatorium.
It’s a wonderful sunrise out there, in streaks of erubescent glory, and the liquid sky
Pours down the bronze liniments of last night’s excess into this beautiful feeling of being in love. My journey ends here, in this window. Its beautiful to be happy. Its beautiful to be alive. Its beautiful to be in love with you.